A mostrar 1841–1845 de 1845 resultadosOrdenado por mais recentes

  • Bijou de Ceinture

    Bijou de Ceinture

    George Soulié de Morant

    7,50 

    Bijou de Ceinture de George Soulié de Morant.
    Kwon On. Paris, 1993, 175 págs. E.

    La réédition de Bijou-de-ceinture, ou le Jeune Homme qui porte robe, se poudre et se farde fera enfin mieux connaître un roman dont le plaisir était devenu réservé à quelques sinologues et bibliophiles amateurs de curiosa. Ceux-là appréciaient jalousement l’espirit libertin, l’enthousiasme sinophile et la réussite de ce tableau du monde de l’opéra de Pékin, des jeunes acteurs travestis et prostitués, et de la capitale d’un empire en déréliction.

    Livro sem marcas, assinaturas ou sublinhados.

  • O Prémio de Irving Wallace

    Prémio

    Irving Wallace

    5,00 

    Título: O Prémio
    Autor: Irving Wallace
    Edição: Círculo de Leitores
    Ano: 1973
    Páginas: 746
    Encadernação: Dura
    Tradução: Maria Isabel Morna Braga
    Título Original: The Prize
    Depósito Legal: B. 47622-1972

  • Othello

    Othello

    William Shakespeare

    6,00 

    In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the world’s dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, as Honigmann persuasively demonstrates, perhaps the best plot, two of Shakespeare’s most original characters, the most powerful scene in any of the plays and poetry second to none. Honigmann’s cogent and closely argued introduction outlines the reasons both for a reluctance to recognize the greatness of Othello and for the case against the play.This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. Honigmann examines the major critical issues, the play in performance and the relationship between reading it and seeing it. He also explores topics such as its date, sources and the conundrum of ‘double time’.’Honigmann’s extensive knowledge illuminates this play at every turn, making this the best edition of Othello now available.’ Brian Vickers, Review of English Studies

  • As You Like It

    As You Like It

    William Shakespeare

    6,00 

    As You Like It de William Shakespeare.
    The Arden Shakespeare. UK, 1997, 135 págs.

    Readers and audiences have long greeted As You Like It with delight. Its characters are brilliant conversationalists, including the princesses Rosalind and Celia and their Fool, Touchstone. Soon after Rosalind and Orlando meet and fall in love, the princesses and Touchstone go into exile in the Forest of Arden, where they find new conversational partners. Duke Frederick, younger brother to Duke Senior, has overthrown his brother and forced him to live homeless in the forest with his courtiers, including the cynical Jaques. Orlando, whose older brother Oliver plotted his death, has fled there, too. Recent scholars have also grounded the play in the issues of its time. These include primogeniture, passing property from a father to his oldest son. As You Like It depicts intense conflict between brothers, exposing the human suffering that primogeniture entails. Another perspective concerns cross-dressing. Most of Orlando’s courtship of Rosalind takes place while Rosalind is disguised as a man, “Ganymede.” At her urging, Orlando pretends that Ganymede is his beloved Rosalind. But as the epilogue reveals, the sixteenth-century actor playing Rosalind was male, following the practice of the time. In other words, a boy played a girl playing a boy pretending to be a girl.

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  • Recordações Fantásticas e Três Histórias Singulares

    Recordações Fantásticas e Três Histórias Singulares

    Maurice Sandoz

    10,00 

    Recordações Fantásticas de Maurice Sandoz.
    Organizações. Lisboa, 1955, 212 págs. B.

    «Meu amigo, recebi a sua nova colecção de pesadelos que teve a amabilidade de enviar. Habitualmente não durmo bem, mas agora não durmo porque não quero.» LEONORA CARRINGTON

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